I’ve decided to finish the eagle in gold leaf. The smoother the surface the better with gold leaf. But I really don’t want to do any sanding and lose the crispness of the carving. So the first thing I did was to dye the wood with a water based dye. The water raises the grain. Once dry I go over it lightly with a red scotch pad to get rid of the whiskers and make it smooth again. As you can see, basswood does not take stain or dye well. I stained it in case I decide to age it. Any worn away paint or gold won’t have bright, clean, new looking wood showing through.
It’s been a long time since I posted something. I’ve been busy carving commissions, all of which are eagles I’ve already posted photos of me carving them. ZZZZZZZ…. Finally, I’ve caught up with orders and I’m going to carve something for myself, a large Bellamy Eagle I’ve never carved before. Though, it will be for sale if someone wants it.
I first saw this eagle at an exhibition of John Bellamy’s work. It is large and impressive. I’ve wanted to carve one ever since, but haven’t had the time. I now have the time. Let’s get to work.
Recently a customer dropped of a crucifix for some repair work. It was somewhat small for a wood carving, but beautifully carved. It was carved in Europe from Lime wood, something similar to our bass wood. I can’t tell how old it is. The carved Jesus seems old, with a lot of patina, but the cross looks fairly new. This is how it looked when it came to me.
I had a nice piece of wood leftover from a customer job and a couple of free days so I did something I seldom do…I made an eagle for inventory. The blank was an odd size so I decided to enlarge a standard 25″ Bellamy. This eagle is 43″ long by 8″ tall and 5″ deep.
I originally tried using imitation gold leaf as a finish. I’ve never tried it, but it is much cheaper, so I figured I’d give it a try and give my customers another choice of finish that was cheaper than real gold leaf. What a disaster. Imitation gold leaf is much thicker than real gold. It didn’t stick and made a mess of the eagle. My only option was to paint over it. White is the most common color the original eagles are found in, so it is fitting. It is lightly aged and for sale at $750.
I like to look through old auction catalogs to see what antiques are selling for and to get ideas for carvings. I was shocked to find a two headed Bellamy eagle that was sold several years ago. It’s a weird looking thing but I liked it so I decided to carve one for myself.
Instead of painted pine I carved this eagle from mahogany and left it in natural wood. I will have a pattern available for sale soon.
I recently bought a very nice federal period mirror at an antique shop that was desperately in need of some repairs. Atop the mirror sits a hand carved urn and swag. It is a very fragile carving that has deteriorated and has been broken and poorly repaired. Here is a short photo essay showing the steps required to repair and conserve the carving. I have tried to maintain the aging and original patina.
Here is what the mirror looked like when I purchased it.
I’ve finally finished the Marine emblem. The finishing part went smoothly, as is usually the case when I am not trying to age or distress the surface. The eagle, continents and rope are covered in 23k gold leaf. The rest is painted with flat, acrylic paint. This creates a strong contrast with the gold. All the colors were chosen to give a lightly aged look without having to do anything else. If you know any marines who would like one, please share this post.
If you want to try to carve one yourself, I now have a pattern available.
I have been carving a Marine Anchor and Globe emblem since the beginning of August. The carving part of the project is now done. This is what it looks like in bare wood. It’s almost a shame to cover it with paint and gold leaf. I’ll post a final photo in a week or two once the the finishing process is done. This was a fun project. I’d love to do another one in walnut or mahogany.
I carve a lot of eagles so it is a welcome opportunity to do something different. I have the honor of carving an early version of the US Marine Corp Anchor and Globe emblem for a Marine. I’m just getting started. Here’s what I have so far.
A few years ago I carved a human skull as a personal challenge to learn a little about human anatomy. It took a lot of work and I wasn’t completely happy with result. So when I received a commission to carve another one I did some more preparation by studying as many different photos of real human skulls.
Last year I got the opportunity to repair three old carved eagles, all belonging to the same collector. Two of the eagles were genuine John Haley Bellamy eagles and one was an old copy. One of the genuine Bellamys was an example of his early work. It gave me a rare chance to study the originals up close, and take them apart. I’ve seen dozens of genuine Bellamy eagles up close, but this is the first time I got the chance to remove the head. It was interesting, and a great opportunity to closely examine the master’s work and techniques.
Following are photos of those eagles and their repairs.
Some of my favorite projects are designs created by a customer. It gives me a chance to do something a little different. This one of those instances. Though the design incorporates one of my often carved eagles–a copy of a Boston Carving Company eagle–it is only part of the project. Building the frame was easy. Simple woodworking that I’ve done many times. The real challenge was the stars, 18 of them. Each one was cut from 3/8″ pine. But then I had to carve each one. They are only 1.5″ so holding them while during the carving was tough. I ended up using double-sided tape to hold them to my bench. It was time consuming, tedious work. It wouldn’t bother me if I didn’t have to make another one.
Feel free to design come up with your own idea and let me create if for you.
I finally had the time to finish the project I’ve been working on for several months. It took about $300 in 23k gold leaf to finish it, but it was worth the expense–it looks great. I made a pyramid base using some 200 year old cherry wood I salvaged from an old desk I salvaged. Here if the finished project.
I’ve finally finished up with a bunch of customer work and had some time to work on my in-the-round eagle. I was planning on carving feathers on the back of the wings and body. But I visited an exhibition of John Bellamy’s carvings in Massachusetts over the summer and liked what he did to the back of one of his large eagles. The photo below is my interpretation of his technique. It was quick and easy to do, but I like the effect.
If you own an Air Arms TX200 MKIII and are having a problem cocking it completely, for example, the auto safety is not engaging or the anti bear trap device isn’t releasing, there is probably an easy fix. I bought a new TX200 recently and immediately began having problems. Once cocked, I could not get the anti bear trap device to unlock the cocking handle. I would have to hold the cocking lever as far as I could push it an then release the beartrap device and let up on the cocking handle. Also the auto safety wasn’t engaging. I searched online and found a lot of similar complaints but only one solution that didn’t involve sending the rifle back for repairs. The one solution I found involved taking the trigger assy completely apart and soldering a piece of metal onto one of the trigger parts. That’s a job too difficult for all but the most daring do-it-yourselfer. And after looking closely at the rifle and its superb quality and engineering I found it implausible that the Air Arms Trigger would need such altering.
To those who have been following this project, I apologize for taking so long to add more photos of the progress. I have been busy with customer (paying) work and have had little time to work on this eagle. When I had some spare time, or when I was in need of a change I did a little carving but failed to take many photos. So here are the photos I did manage to take. Feathering can be very time consuming depending on the level of detail you go for. The original eagle had very little detail. I wanted a different look so I carved lots of feathers. I’ve managed to finish rouging out the feathers on the front of the eagle and have just started adding quills and vanes. I’m back to customer work so it will be a while before I can post any more photos.
I started shaping the back of the wings and body, and as you can see, I have roughed out the ball the eagle is standing on. Carving a ball is normally fairly easy. But with an eagle standing on the ball, the job gets much harder. The eagle gets in the way and makes it difficult to both see the outline carve around the feet and tail. The only way to get it right is to work all sides of the ball together, little by little, until it looks right. At the point I don’t want to get too fussy with the ball because the feet need to be carved before the ball is finalized.
I recently restored an antique eagle for an antiques dealer. It is a Pilot House style eagle. Unlike most of the carvings I deal with that hang on the wall–what we call a relief carving–this eagle is carved “in the round” or in full 3 dimensions. This eagle is more folk art than a realistic type of carving.
My wife fell in love with this eagle once it was restored so, obviously, that means I have to carve a replica for her. Because carving in the round presents many difficulties not experienced with relief carving, I decided to post an ongoing tutorial during the carving process. It will probably be many posts over the course of a month or two. Be sure to subscribe to this page to be notified of updates.